A Victorian gentleman is forced by illness to entertain himself with the family archive, and he uncovers the Regency-era correspondence and diaries of one Miles Lufton, MP - apparently a black sheep of the family, connected with a scandal long buried. But through the pieced-together artefacts from the past, a fuller picture emerges of a man torn between two personalities - Miles, serious, studious and penniless, and 'Pronto', flirt, political mover and eternal 'extra man'. Miles longs to dispose of his disreputable alter ego, but that way lies calamity...

Margaret Kennedy was born in London on 23 April 1896, the eldest of four children. She attended Cheltenham Ladies College, then went on to study history at Somerville College, Oxford. Her first book, a commissioned work of history, was published in 1922 and was soon followed by her first work of fiction,The Ladies of Lyndon(1923). Her second novel,The Constant Nymph(1924), became a worldwide bestseller, and with it Kennedy became a well-known and highly praised writer. The following year she married David Davies, a barrister; they lived in London and had three children. Kennedy went on to write fifteen further novels, many of which were critically commended Troy Chimneys(1953) was awarded the James Tait Black Memorial Prize. She also wrote plays, adapting bothThe Constant Nymphand its sequelThe Fool of the Familyvery successfully. The former opened in the West End in 1926, starring Noel Coward followed by John Gielgud, to great acclaim. Three different film versions ofThe Constant Nymph, featuring stars of the time such as Ivor Novello and Joan Fontaine, were equally popular, and led to Kennedys engagement in film work for a number of years from the late 1930s. She also published a study of Jane Austen (1950) and a work of literary criticism,The Outlaws on Parnassus, in 1958. In 1964 Margaret Kennedy moved from London to Woodstock, Oxfordshire, where she lived until her death on 31 July 1967.

A remarkable historical novel, set in Austen-era England, exploring issues of identity, love and class, from the author of The Constant Nymph